Director
Nia DaCosta has moved from a North Dakota oil-patch drama to a Chicago slasher sequel, a Marvel tentpole and an Ibsen adaptation without changing her subject, which is the person at the center of the frame. She treats genre as a door rather than a destination, using horror and spectacle to get close to grief, class and the stories a community tells to survive. Her camera favors faces and bodies in tight, controlled compositions, and each film is built around one formal idea, like the shadow-puppet flashbacks in Candyman. The emotional temperature stays steady even when the scale around it swells.
Learn More →Signature Traits
Major Works
Little Woods (2018)
Two sisters in a North Dakota oil boom town, shot with a patient, lived-in realism that made a first feature feel like a veteran's.
Candyman (2021)
A sequel that tells its backstory through shadow-puppet sequences, turning Cabrini-Green's history into something you watch rather than are told.
Hedda (2025)
Ibsen's Hedda Gabler compressed into one party and one night, with the camera circling a woman who has run out of exits.
28 Years Later: The Bone Temple (2026)
A zombie sequel that slows down to follow Ralph Fiennes' Dr. Kelson and his bone-lined temple of the dead.
Also Worked On
The Marvels (2023) • Top Boy (2019) • Night and Day (2013) • Verizon: Look Behind You (2026)
